Winners – Edition 3

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BLACK SKIN,
WHITE MASKS

The project that moves us back to the roots of Polish blackness. It roots down to the hidden stories of African slaves at Polish courts in the 17th and 18th century and makes us travel in time to current days, free from racism and biases. Or not really free?

DIRECTOR: Wiktor Bagiński
SCRIPTWRITER: Wiktor Bagiński i Paweł Sablik
PLAYWRIGHT: Paweł Sablik
STAGE DESIGN AND COSTUMES: Anna Oramus
MUSIC: Bartek Prosuł, Karol Kossakowski
CHOREOGRAPHY: Krystyna Lama-Szydłowska
LIGHTING DIRECTOR: Natan Berkowicz

CzarnaSkoraBialeMask_Thumb_TK-2
II_generalna_czarna_skora_fot_Stolarska-24
Czarna-skora-biale-maski_Monika-Stolarska-15-1

BLACK SKIN,
WHITE MASKS

The project that moves us back to the roots of Polish blackness. It roots down to the hidden stories of African slaves at Polish courts in the 17th and 18th century and makes us travel in time to current days, free from racism and biases. Or not really free?

DIRECTOR: Wiktor Bagiński
SCRIPTWRITER: Wiktor Bagiński i Paweł Sablik
PLAYWRIGHT: Paweł Sablik
STAGE DESIGN AND COSTUMES: Anna Oramus
MUSIC: Bartek Prosuł, Karol Kossakowski
CHOREOGRAPHY: Krystyna Lama-Szydłowska
LIGHTING DIRECTOR: Natan Berkowicz

CzarnaSkoraBialeMask_Thumb_TK-2
II_generalna_czarna_skora_fot_Stolarska-24
Czarna-skora-biale-maski_Monika-Stolarska-15-1

2017

2018

Edition 3

2019

2022

2023

MODELATORNIA
ONLINE

Looking for a new platform to fulfil the statutory role of theatre, and also being aware of the challenging situation many (especially young) artists found themselves in, we created an open call for projects focusing on the theme “metamorphosis”. 

Due to the character of the competition and the lack of access to the theatre stage, we look for projects from such areas as video art, video performance, sound art, net art, VR, AR and other forms designed for online channels of communication. 

We’re looking for artists, that are ready to confront themselves, with many other disciplines of arts (visual, sound, classical music, performance, new drama, cinema, devised methods and many others) in order to find new perspective for theatre in general. We need young and open-minded makers, open for dialogue and critique, willing to broaden their (and ours) horizons, basing their work ethics on strong believe in constant renewal of creative methods. We need partners in crime against old habits, ingrained forms and slothful topics.

Norbert Rakowski

podpis Norbert Rakowski