CALL FOR
PROPOSALS

CALL FOR PROPOSALS

In reference to the tradition of theatrical exploration carried out in 1959–1964 in Opole by Jerzy Grotowski and the Theatre of 13 Rows, the Jan Kochanowski Theatre created a new platform for fresh and unconventional dialogue with the audience, escaping from museum-like approach to Grotowski heritage. In order to ensure that artists have open access to this space, the JK Theatre launched the Competition within the Modelatornia programme. The intention of the Competition’s initiators was to start and to continue explorations, in contemporary cultural, social, political and artistic contexts, that would creatively echo the professional experimental theatre formula as proposed by Grotowski. Our goal is to create on Modelatornia an asylum for all theatre makers willing to try new forms and ways to communicate with the audience. 

 

We’re looking for artists, that are ready to confront themselves, with many other disciplines of arts (visual, sound, classical music, performance, new drama, cinema, devised methods and many others) in order to find new perspective for theatre in general. We need young and open-minded makers, open for dialogue and critique, willing to broaden their (and ours) horizons, basing their work ethics on strong believe in constant renewal of creative methods. We need partners in crime against old habits, ingrained forms and slothful topics.


Norbert Rakowski

 

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EDITION 4

Following the idea expressed in the Modelatornia Triennale manifesto, we want to look for other experiment-based models of institutional work. These are supposed to be models which will enable us to meet a new generation of creators and to facilitate the exchange of thought and practices. The past editions of the call for proposals were limited to producing the director’s vision selected by the jury. In this edition, we decided to expand this formula by adding a residency programme component. Three artistic groups will be selected based on submitted applications to take part in the common residency programme in Opole. They will be working on their projects for two weeks, supported by a group of Polish and international experts (creators, curators, theoreticians, etc.) and the artists of the TJK Theatre. This phase will be closed with the staging of three in-the-making performances, which will be assessed by the international jury that will select one of them to be produced at the Modelatornia. 

We hope that in this manner we will be able to support a wider group of young Polish artists and, at the same time, promote their work internationally.

CATHARSIS

Edition 4 of the call for proposals will be focused on the concept of CATHARSIS – the ancient idea of purification experienced by the audience after a play. We look for projects that correspond with this concept in a wider dimension, without being limited to the coronavirus pandemic, as we are aware that this wide range of possibilities will stay open to the experience of a widely understood experimental theatre.

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PROPOSALS ARE TO BE SUBMITTED BY
31 MARCH 2021

 modelatornia@teatropole.pl

PLEASE NOTE! This call for proposals is intended for artists from Poland only
and any applications should be written in Polish.

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ONLINE EDITION

MODELATORNIA ONLINE

Looking for a new platform to fulfil the statutory role of theatre, and also being aware of the challenging situation many (especially young) artists found themselves in, we created an open call for projects focusing on the theme "metamorphosis". 
Due to the character of the competition and the lack of access to the theatre stage, we look for projects from such areas as video art, video performance, sound art, net art, VR, AR and other forms designed for online channels of communication.  

Modelatornia Competition aims to support artists in a difficult moment of a pandemic, creating conditions for creative involvement in the fight against the economic and social consequences of COVID-19.

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Patroni medialni

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Dofinansowanie

V Konkurs na Projekt Teatralny MODELATORNIA nawiązujący do idei artystycznych Jerzego Grotowskiego dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego oraz budżetu Województwa Opolskiego.

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